In February, electro-rapper Peaches announced her plans for Peaches Christ Superstar, a one-woman rendition of the biblical rock opera, performing each and every role herself, backed only by pianist (and longtime friend and collaborator) Chilly Gonzales. Considering the film version runs at 108 minutes, that sounds about as simple as, say, walking on water while turning it into wine. But what proved to be a real challenge were the legal aspects: when the German rights-holders to the musical learned of her plans, the production was seemingly “crucified” (as Peaches declared on Twitter), only to be “resurrected” a poetic three days later, after negotiations.